{"id":30685,"date":"2025-10-15T15:16:59","date_gmt":"2025-10-15T14:16:59","guid":{"rendered":"https:\/\/casoriacontemporaryartmuseum.com\/?p=30685"},"modified":"2025-12-06T13:06:57","modified_gmt":"2025-12-06T12:06:57","slug":"han-chai","status":"publish","type":"post","link":"https:\/\/casoriacontemporaryartmuseum.com\/it\/han-chai\/","title":{"rendered":"CHAI HAN"},"content":{"rendered":"

Royal Screw
\n17 \u2013 24 ottobre 2025<\/strong><\/p>\n

Il CAM_Casoria Contemporary Art Museum \u00e8 orgoglioso di presentare Royal Screw, la prima mostra personale in Italia dell’artista Chai Han. In questo corpus di opere profondamente personale, Chai trasforma storie dimenticate in fragili monumenti. Attraverso sculture, installazioni e film, l’artista rivisita il mondo degli Shamate (dal termine inglese \u201csmart\u201d), una sottocultura giovanile nata nelle zone rurali o nelle citt\u00e0 industriali della Cina, dove i giovani lavoratori migranti un tempo utilizzavano acconciature stravaganti, avatar digitali ed emoji, il linguaggio visivo di una generazione online, per ritagliarsi una visibilit\u00e0 in un mondo invisibile.<\/p>\n

La mostra riunisce le opere di Chai del 2025, tra cui 0.88 Yuan, Jade ID I-IV, The Cheap Thing I & II, Phone Grave e Phone Monument, insieme al film documentario Sha Ma Te, Wo Ai Ni (2019) diretto da Yifan Li. Scatole di sigarette in argilla, giade frammentate e reliquie incise trasformano materiali ordinari in contenitori di memoria. Ogni pezzo parla silenziosamente di dignit\u00e0, perdita e della creativit\u00e0 ostinata che sopravvive all’interno di sistemi costruiti per cancellare.<\/p>\n

Chai \u00e8 nata a Jixi, al confine settentrionale della Cina, e un tempo apparteneva alla comunit\u00e0 Shamate. La sua pratica trasforma quell’esperienza in una forma di ricordo, un atto di cura per coloro che si sono resi visibili in un mondo che rifiutava di guardare. \u201cQuesta mostra non riguarda la nostalgia\u201d, afferma. \u201c\u00c8 uno scavo. Un monumento a una civilt\u00e0 a cui non \u00e8 mai stato permesso di esistere\u201d.<\/p>\n

Riflettendo sul dialogo tra Cina e Italia, Chai scrive: “Se guardiamo pi\u00f9 indietro nel tempo, sia l’Italia che la Cina erano un tempo conosciute come nazioni di artigianato, dove l’arte e il lavoro erano inseparabili. Ma la globalizzazione ha diviso i nostri percorsi. L’Italia \u00e8 rimasta famosa per i suoi raffinati prodotti artigianali, mentre la Cina \u00e8 diventata la fabbrica del mondo. Nel mio lavoro utilizzo materiali antichi come giada, osso e bamb\u00f9 per riportare in vita ci\u00f2 che le macchine hanno consumato. \u00c8 una sorta di artigianato al contrario”.<\/p>\n

Per Chai, Napoli \u00e8 pi\u00f9 di una citt\u00e0 ospitante: \u00e8 uno specchio. La descrive come un luogo di \u201cvitalit\u00e0 e dignit\u00e0\u201d, dove la creazione persiste attraverso il cambiamento. Royal Screw trova la sua casa qui, tra gli strati viventi di una citt\u00e0 che comprende come la bellezza possa nascere da ci\u00f2 che resiste.<\/p>\n

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