{"id":22918,"date":"2008-03-15T18:30:07","date_gmt":"2008-03-15T18:30:07","guid":{"rendered":"http:\/\/www.casoriacontemporaryartmuseum.com\/?p=22918"},"modified":"2019-07-15T21:05:21","modified_gmt":"2019-07-15T21:05:21","slug":"magmart-08-terza-edizione","status":"publish","type":"post","link":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/","title":{"rendered":"MAGMART 08 – Third Edition"},"content":{"rendered":"

MAGMART<\/strong> 2008 
\nVIDEO UNDER VOLCANO
\n<\/strong>International videoart festival
\nThird edition<\/p>\n

March 15th – April 15th 2008<\/strong><\/p>\n

CURATED BY
\nAntonio Manfredi
\n<\/strong>Enrico Tomaselli<\/strong><\/p>\n

OPENING
\nMarch 15th 2008 6.30 pm<\/strong><\/p>\n

Winning Artists:<\/u><\/strong><\/p>\n

Nisrine Boukhari <\/strong>\/ Syria  \u201cTHEM\u2013ME<\/em>\u201d; Junichiro Ishii <\/strong>\/ Giappone \u201cPROMENADE<\/em>\u201d;<\/p>\n

Fleisch Thorsten<\/strong> \/ Germany \u201cENERGIE!<\/em>\u201c;<\/p>\n

Jean-Gabriel<\/strong> P\u00e9riot <\/strong>\/ France \u201cNIJUMAN NO BOREI<\/em>\u201d ; Shahar Marcus<\/strong> \/ Israel \u201cHOMECOMING ARTIST<\/em>\u201d; Nervo e Tes<\/strong> \/ Italy \u201cINTERNO7<\/em>\u201d ;<\/p>\n

Silvia<\/strong> De Gennaro <\/strong>\/ Italy \u201cREALITY<\/em>\u201d ;<\/p>\n

Bill Bahmermann<\/strong> \/ USA \u201cDREAMS OF THE GARDEN<\/em>\u201d ; Gerard Freixes Ribera<\/strong> \/ Spain \u201cAISLADO<\/em>\u201d;  Vishal Shah<\/strong> \/ United Kingdom<\/p>\n

\u201cSEEK ASSISTANCE<\/em>\u201d ; Fernando Garcia Tamajon <\/strong>(aka Malaventura) \/ Spain \u201cBOXES<\/em>\u201d (CAJAS); Barbara Zenobi<\/strong> \/ Italy \u201cA-FUSION<\/em>\u201d; Kentaro Yamada<\/strong> \/ Japan \u201cPALAREL PARKING<\/em>\u201d;  Simona Minniti<\/strong> \/ Italy \u201cMETAMORPHOSYS<\/em>\u201d ; Bruno Estevan<\/strong> \/ Italy \u201cBREATH<\/em>\u201d ; MALC<\/strong> (Massimiliano Acerra and Lorena Canulli) \/ Italy \u201cRGB<\/em>\u201d; Ro\u00dfbacher Gerald and Michael Weing\u00e4rtner<\/strong> \/ Germany \u201cSUPERIMPOSING L.A<\/em>.\u201d ; Nervo e Tes<\/strong> \/ Italy \u201cDI CULLA IN CULLA<\/em>..\u201d; Elvira Sanchez Lopez<\/strong> \/ Spain \u201cMILO’S DREAM<\/em>\u201d ; Orion Eden<\/strong> \/ Isreal \u201cFRAME 2007\u201d; Andrea Fossati<\/strong>, Alessandro Rizzo, Luca Roggero <\/strong>\/ Italy \u201cMAIEUTICA<\/em>\u201d;<\/p>\n

Tal Lotan<\/strong> \/ Israel \u201cMAYA HAS A GUN<\/em>\u201d;<\/p>\n

Henry Gwiazda<\/strong> \/ USA \u201cA DOLL’S HOUSE IS..<\/em>..\u201d;  Ulf Kristiansen<\/strong> \/ Norway \u201cTHE ART RECEPTION<\/em>\u201d;  Emily Alden Foster<\/strong> \/ USA  \u201cSNOWFAKES<\/em>\u201d ; Giacomo Grasso<\/strong> \/ Italy  \u201cDAL VUOTO<\/em>\u201d; Morena Casari<\/strong> \/ Italy  \u201cSALA D’ATTESA<\/em>\u201d ; Michele Pesce<\/strong> \/ Italy \u201cTRAVEL TRIP<\/em>\u201d;  Jessica Iapino<\/strong> \/ Italy \u201cEDEN<\/em>\u201d ; Junichiro Ishii, Burcu Costur<\/strong> \/ Japan \u201cCOMPOUND EYES<\/em>\u201d.<\/p>\n

Special mention:<\/u><\/strong><\/p>\n

Astrid Stoefas<\/strong> \/ Germany \u201cWHERE ARE YOU<\/em>\u201d;<\/p>\n

Filippos Tsitsopoulos<\/strong> \/ Greece \u201cCRAZE<\/em>\u201d video_installation;<\/p>\n

Cherie Sampson<\/strong> \/ USA \u201cIF YOU WERE A ROCKY ISLAND<\/em>\u201d<\/p>\n

Out of competition:<\/u><\/strong><\/p>\n

Gloria Zoitl<\/strong> – Werner Raditschnig<\/strong> \/Austria \u201eKUNST UBER KUNST ODER DIE KREATIVITAT DER LANGEWEILE\u201c<\/p>\n

 <\/p>\n

 On Saturday, the 15th<\/sup> of March at 6.30pm<\/strong>, at CAM_Casoria Contemporary Art Museum, will take place the third edition of \u201cMagmart_Video under Volcano\u201d, International Festival of Video-Art. During the opening the selected videos will be projected at the Casoria museum \u2013 they have been chosen among more than 300 works participating to the competition, according to technical-artistic criteria and evaluated on the basis of the most recent evolutions in contemporary art trends. A jury of experts made up of Antonio Manfredi, CAM director, Enrico Tommaselli, Festival artistic director, Giuseppe De Marco<\/strong>,  Mediavox founder, Luca Magnoni<\/strong>, journalist,  Arseny Sergeyev<\/strong>, \u201cOutvideo\u201d Festival curator. During that night, through a real-time connection some of the winning artists \u2013 Vishal Shah (UK), Emily Foster (U.S.A.) and Eden Orion (Israel) \u2013 will interact with the audience, continuing the CAM international network activity. The opening will be on live broadcast on INSU.TV, on  VHF 19 \u2013 98 frequency. Videos will become part of the permanent collection of the museum \u2013 already counting 300 works of digital art. The thirty ones selected, sharing the use of digital means as requested by the competition, do explore the expressive possibilities of video-art. The selection of this third edition of the Festival deals with themes and subjects someway new as well as a widening of already treated themes and experiences. When referring to the past, digital artists find confirmation and legitimating in virtue of continuity. The new aesthetics worked-out carry out an interpretative role of the means of its production. If until some time ago technology was considered pure scientific expression, it is now become a language thanks to art. Though metaphors or symbols it has lost its instrumental meaning becoming integral part of the artistic product. All the participating works are characterized by digital and only sometimes use the modifying possibilities of real with the technical means. The typical graphics of videogames or the single colour space only invaded by unreal shapes, is one of the possible way to see the artistic world expressing through the canons of virtual. On the other hand the reversal of the reference points meant to distinguish the tangibility surrounding us turns to dreamlike atmosphere thanks to the perfection of details, the use of accentuated colours or the blurred shapes. Everything looks too real, the excessive reproduction de-contextualizes the tale and turns it to abstract. Performance testimonies grow richer of their own temporal space, accelerated and built not just to document what happens but to build a metaphor of human time and action, as in the videos by Ishii Junichiro<\/em> and Costur Burcu<\/em>, in which the installation building goes along with time and space flowing. New fairy tales, full with images and dreamlike references do shape and become concrete, inviting to the search for links and meaning pertaining to the collective imagination. Videos \u2013 as the ones by Fernando Garcia<\/em> Tamajon <\/em>and Tal Lotan<\/em> \u2013 far from only willing to teach, prefer to show and guide the viewer through those landscapes and moments otherwise invisible. In other cases artists use video-art to question people and themselves on their own social and cultural function, showing the will to relate to their surrounding as in the videos by Marcus Shahar<\/em> and Ulf Kristiansen<\/em>. Not last is the interest in mythology and history, with contemporary interpretation, in which digital technique is used as means to bring back to life meanings otherwise lost or misunderstood, as in the video of the Milan group Andrea Fossati, Alessandro Rizzo<\/em> and Luca Roggero<\/em> or in the video by Jessica Iapino<\/em>. Videos by MALC<\/em> or Nervo e Tes<\/em> groups carry out a pure visual experimentation, meanwhile Morena Casari<\/em>proposes a technique alternative to the urban space and common life by means of an architectural building favouring social relations and integrated with the natural space. The videos value looks purely conceptual and the total immersion into virtual images \u2013 sometimes with no textual linearity \u2013 creates loss and perturbation. It requires, therefore, an actualization of the audience approach \u2013 goal undertook by this festival and by its hosting museum.<\/p>\n

Artists<\/strong><\/h2>\n

Nisrine Boukhari \/ Syria <\/strong>\u201cThem – me\u201d 2007<\/p>\n

Junichiro Ishii \/ Japan  <\/strong>\u201cPromenade\u201d 2007<\/p>\n

Silvia De Gennaro \/ Italy <\/strong>\u201cReality\u201d 2007<\/p>\n

Nervo e Tes \/ Italy <\/strong>\u201cInterno 7\u201d 2007<\/p>\n

Marcus Shahar \/ Israel <\/strong>\u201cHomecoming artists\u201d 2007<\/p>\n

Jean-Gabriel P\u00e9riot \/ France <\/strong>\u201cNijuman no borei\u201d 2007<\/p>\n

Thorsten Fleisch \/ Germany <\/strong>\u201cEnergy\u201d 2007<\/p>\n

Bill Bahmermann \/ USA <\/strong>\u201cDreams of the garden\u201d 2007<\/p>\n

Gerard Freixes Ribera \/ Spain <\/strong>\u201cAislado\u201d 2007<\/p>\n

Visual Shah \/ UK <\/strong>\u201cSeek assistance\u201d 2005<\/p>\n

Fernando Garcia Tamajon \/ Spain – <\/strong>\u201cBoxes\u201d 2007<\/p>\n

Morena Casari \/ Italy <\/strong>\u201cMetamorphosis\u201d 2007<\/p>\n

Kentaro Yamada \/ Japan – <\/strong>\u201cParalel parking\u201d 2006<\/p>\n

Barbara Zenobi \/ Italy <\/strong>\u201cA-fusion\u201d 2007<\/p>\n

Bruno Estevan \/ Italy <\/strong>\u201cBreath\u201d 2007<\/p>\n

MALC (Massimiliano Acerra and Lorena Canulli) \/ Italy <\/strong>\u201cRGB\u201d 2007<\/p>\n

Gerald Ro\u00dfbacher \/ Germany <\/strong>\u201cSuperimposing L.A.\u201d 2007<\/p>\n

Nervo e Tes \/ Italy <\/strong>\u201cDi culla in culla\u201d 2007<\/p>\n

Fernando Garcia Tamajon \/ Spain <\/strong>\u201cMilo’s dream\u201d 2007<\/p>\n

Eden Orion \/ Israel – <\/strong>\u201dFrame 07\u201d 2007<\/p>\n

Andrea Fossati, Alessandro Rizzo, Luca Roggero \/ Italy <\/strong>\u201cMaieutica\u201d 2007<\/p>\n

Tal Lotan \/ Israel <\/strong>\u201cMaya has a gun\u201d 2007<\/p>\n

Henry Gwiazda \/ USA <\/strong>\u201cA doll’s house is\u201d 2007<\/p>\n

Ulf Kristiansen \/ Norway <\/strong>\u201cThe art reception\u201d 2007<\/p>\n

Emily Alden Foster \/ USA <\/strong>\u201cSnowfakes\u201d 2007<\/p>\n

Giacomo Grasso \/ Italy <\/strong>\u201cDal vuoto\u201d 2007<\/p>\n

Morena Casari \/ Italy <\/strong>\u201cSala d’attesa\u201d 2007<\/p>\n

Michele Pesce \/ Italy <\/strong>\u201cTravel trip\u201d 2007<\/p>\n

Jessica Iapino \/ Italy <\/strong>\u201cEden\u201d 2007<\/p>\n

Junichiro Ishii, Burcu Costur \/ Japan <\/strong>\u201cCompound eyes\u201d 2007<\/p>\n

Astrid Stoefas \/ Germany <\/strong>\u201cWhere are you\u201d 2007 (Menzione speciale<\/em>)<\/p>\n

Filippos Tsitsopoulos \/ Greece <\/strong>\u201cCraze\u201d 2007 (Menzione speciale<\/em>)<\/p>\n

Cherie Sampson \/ USA <\/strong>\u201cIf you were a rocky island<\/em>\u201d 2004\/2007 (Menzione speciale<\/em>)<\/p>\n

Gloria Zoitl, Raditschnig Werner \/ Austria<\/strong> \u201cKunst uber Knst oder die Kreativitat der Langeweile\u201c 2007(Fuori concorso<\/em>)<\/p>\n

Works<\/h2>\n

1) Video title: A DOLL’S HOUSE IS……<\/strong><\/p>\n

Author’s name: Gwiazda Henry<\/strong><\/p>\n

A doll’s house is…… is a work which explores the artistic connection between movement that occurs in an apartment building, other units in that building and the exterior world. It shows that each motion, whether it is made by human, animal, object, light or sound, is connected and extended by other motions to compose a phrase, a sentence of great artistic interest. For example, a man is exercising in his apartment. As he makes one gesture, another gesture is made in an apartment next to his-which is connected to a light which gets turned on in another part of the building-which is connected to a sound which occurs somewhere else. Each movement by itself is meaningless, boring, cliched. But seen as one component of a larger artistic phenomenon, it becomes important, meaningful. <\/p>\n

 <\/p>\n

2) Video title: A-FUSION<\/strong><\/p>\n

Author’s name: Barbara Zenobi<\/strong><\/p>\n

“A-Fusion” was born with the aim to present and show different visions on one of life essential elements: Water. <\/p>\n

In this video, such a simple resource but yet so precious, gets in touch with other elements of our daily life, thus creating a game of fusions, relationships, transformations of extraordinary beauty and charm.<\/p>\n

We often have the chance to cheer our eyes with suggestive and satisfying visions but we are mostly \u201clooking without watching\u201d and everything passes by as if nothing happened.<\/p>\n

 <\/p>\n

3) Video title: AISLADO<\/strong><\/p>\n

Author’s name: Freixes Ribera Gerard<\/strong><\/p>\n

Videowork on how loneliness may be found in a desert island or in the middle of a big urban crowd.<\/p>\n

 <\/p>\n

4) Video title: BOXES (CAJAS)<\/strong><\/p>\n

Author’s name: Tamajon Fernando Garcia (aka Malaventura)<\/strong><\/p>\n

My latest video is called Cajas (boxes) and try to see the soul and dreams of that inheres objects in the moment they are empty and useless, free imagining everything.<\/p>\n

 <\/p>\n

5) Video title: BREATH<\/strong><\/p>\n

Author’s name: Estevan Bruno<\/strong><\/p>\n

Necessary alternation of breathing is the manifestation of the irremediable dichotomy affirmation\/negation in the artist’s soul.<\/p>\n

 <\/p>\n

6) Video title: COMPOUND EYES<\/strong><\/p>\n

Author’s name: Junichiro ISHII & Burcu COSTUR<\/strong><\/p>\n

Modern society seems growing up towards clarifying the notion that “people are not able to understand each other eternally” rather than urging the one that “people are able to understand each other. “This is an archive of site-specific installation “Chai on the Balance”.<\/p>\n

Since I began to get interested in the “process” of creation itself, through various approaches, I have been trying to capture and visualize special “creative atmosphere” between humans which occasionally appears in a process of collaboration.<\/p>\n

The main concept of this video is “collaboration” itself. Using the same video materials, this piece was edited by two artists Junichiro ISHII (JP) and Burcu COSTUR (TR), without any discussions.<\/p>\n

These two artists have already shared the same “process” from different points of view while the collaboration of practical works.<\/p>\n

Comparing two different angles, this video work will be a trial to grasp the reality of creative atmosphere and to urge you to consider un-recordable feelings.<\/p>\n

7) Video title: DAL VUOTO<\/strong><\/p>\n

Author’s name: Grasso Giacomo<\/strong><\/p>\n

Images of liquids are moving on the screen, music comes along… texts emerge from emptiness…<\/p>\n

 <\/p>\n

8) Video title: DI CULLA IN CULLA…<\/strong><\/p>\n

Author’s name: NERVO e TES (Paola Setti e Gennaro Rino Becchimanzi)<\/strong><\/p>\n

From cradle to cradle… from life to life, we increase our awareness and our \u201cfunction\u201d in a society dumb of consequence. The interdependence of all the phenomena makes possible to achieve a universal \u201cknowledge\u201d making us free and aware of our own nature and our own power of action not to depend from environment but to act it by one\u2019s self.<\/p>\n

Therefore, the installation \u201cdi culla in culla…\u201d focuses on the origin of knowledge origin that is existential awareness, requirement for a knowledge able to create human value.<\/p>\n

50 metres of braids, symbol of our lives passing by one after the other, reporting the cycle of birth and death as the continuous flow of life. Eight \u2013 the number symbolizing infinite \u2013 are the braids nests bringing back to the center, the origin of everything and our experiences following one another are thought as a dance bringing to the awareness from cradle to cradle…<\/p>\n

 <\/p>\n

9) Video title: DREAMS OF THE GARDEN<\/strong><\/p>\n

Author’s name: Bahmermann Bill<\/strong><\/p>\n

“Dreams of the Garden” is a visual poem which examines the eternal mystery of Feminine beauty, seduction, original sin, the fall from grace, and finally remorse. <\/p>\n

It is perhaps easier to describe the film by first listing what it does not have. “Dreams of the Garden” has no dialogue, no script, no jump cuts, no wit, no irony, and no intellectual underpinnings.<\/p>\n

What this modest short film does have is: poetry, elegant visuals, transcendental music and great beauty. This mesmerizing film slowly draws the viewer into an ancient floating dream which uses the oldest of all narratives to pay homage to eternal Feminine Beauty.<\/p>\n

 <\/p>\n

10) Video title: EDEN<\/strong><\/p>\n

Author’s name: Jessica Iapino<\/strong><\/p>\n

Eden gardens, Adam and Eve. Origins. Eden as entertaining park. Ancient, medieval and contemporary present. Blown-up dolls as game tools, lifeless beings, objects representing sexual lust. Chastity belts as ancient torture tools. Two opposites extreme on many points. Forced chastity as imposed sexuality. <\/p>\n

 <\/p>\n

11) Video title: ENERGIE!<\/strong><\/p>\n

Author’s name: Thorsten Fleisch<\/strong><\/p>\n

From a mere technical point of view the tv\/video screen comes alive by a controlled beam of electrons in the cathode ray tube. For Energie! an uncontrolled high voltage discharge of approx. 30.000 volts exposes photographic paper which is then arranged in time to create new visual systems of electron organization.<\/p>\n

 <\/p>\n

12) Video title: FRAME 2007<\/strong><\/p>\n

Author’s name: Orion Eden<\/strong><\/p>\n

The Video is about Beauty, Simplicity and Recursion.<\/p>\n

 <\/p>\n

13) Video title: HOMECOMING ARTIST<\/strong><\/p>\n

Author’s name: Shahar Marcus<\/strong><\/p>\n

In the video work home coming artist you can see me driving with my parents in my hometown Petah Tikva which is a small city near Tel Aviv. During the ride the people of the town are being asked do they know or heard about the artist. None of the people know and most of them don’t care about art at all. The drive implicates the gap between the art scene and the common citizen in small towns such as my hometown.<\/p>\n

 <\/p>\n

14) Video title: INTERNO7<\/strong><\/p>\n

Author’s name: NERVO e TES (Paola Setti e Gennaro Rino Becchimanzi)<\/strong><\/p>\n

\u201cInterno\u201d is an unconscious place where what we lived, thought and the result of ourselves perception related to others is worked out again. In \u201cInterno7\u201d this place of mind is reflected in the homeplace here represented as a \u201cprivate stage\u201d of acted more than intimate relationships. The private physical space becomes subject of reflection on our states of mind and on a society which is its collective sum.<\/p>\n

 <\/p>\n

15) Video title: MAIEUTICA<\/strong><\/p>\n

Author’s name: Andrea Fossati, Alessandro Rizzo, Luca Roggero<\/strong><\/p>\n

\u201cMaieutica\u201d is the contemporary cave where darkness abuses light, shadow is distorted vision cheating the perception.<\/p>\n

In it the decaying width of productive emptiness, leaves space to a catharsis of a rational and creative becoming.<\/p>\n

In synthesis it is the movement confronting with stillness and trying to fill in spaces.<\/p>\n

 <\/p>\n

16) Video title: MAYA HAS A GUN<\/strong><\/p>\n

Author’s name: Lotan Tal<\/strong><\/p>\n

Maya has a Gun is a visual trip into the mind of a girl named Maya, and fragments of Maya’s relationship with the author, as they are reflected by him.<\/p>\n

 <\/p>\n

17) Video title: METAMORPHOSIS – LIBERO MOTO DI CORPI FLUIDI<\/strong> –<\/p>\n

Author’s name: Minniti Simona<\/strong><\/p>\n

Metamorphosis was born form the hypnotic observation of a wax lamp. The everlasting movement of bubbles, “life” appearing to take advantage on bodies naturally lifeless and the feeling of growth, constant and relentless mutation going along this object so loved during 70s. It is from these premises that the creation of a piece developed in 4 sections, each presenting a \u201cpeculiar movement\u201d, associated to a title (Pulses; Wax dance; Wakes; Drops of Soul), hiding in itself a precise meaning.<\/p>\n

 <\/p>\n

18) Video title: EL SUE\u00d1O DE MILO\/  MILO’S DREAM<\/strong><\/p>\n

Author’s name: Sanchez Lopez Elvira<\/strong><\/p>\n

Her present interests are focused on animation cinema, video art, new art languages (for example: classical painting tradition applied to novel digital techniques), and web & multimedia<\/p>\n

 <\/p>\n

19) Video title: NIJUMAN NO BOREI<\/strong><\/p>\n

Author’s name: P\u00e9riot Jean-Gabriel<\/strong><\/p>\n

 <\/p>\n

20) Video title: PALAREL PARKING<\/strong><\/p>\n

Author’s name: Kentaro Yamada<\/strong><\/p>\n

In this video, I was interested in movements, mental and physical space, and their associations with rituals such as Japanese tea ceremony.<\/p>\n

 <\/p>\n

21) Video title: PROMENADE<\/strong><\/p>\n

Author’s name: Junichiro ISHII<\/strong><\/p>\n

This video is related to the site-specific installation project, “Rue de L’infinite”.<\/p>\n

In the epoch of modernization, we are consuming a lot of primal energies which we need to leave to our future generations. We can easily imagine that nature is not an eternal donor to humans. However, no matter how much we are all aware of the necessity for restraint, humanity seems it must consume nature to make its idea of a utopia.<\/p>\n

I have made a wooden sidewalk which has the form of the symbol for infinity. Although I called this work a sidewalk, actually it does not function as one, because the required entrance and exit of a sidewalk’s function are excluded due its infinity symbol form. It aims at inviting people to a meaningless promenade.<\/p>\n

Drawing this ancient symbol in to a natural landscape, my intent was to create a non-functioning sidewalk. Infinity is a concept that attends many metaphors from ancient wisdom, often depicted by a snake which consumes its own tail eternally.<\/p>\n

The video work “PROMENADE” is a metaphor for the accelerating human society, which, as depicted here, begins at 100%, or Normal, speed. It accelerates gradually to a speed 128,000% of Normal. In the 128,000% segment, the performance consists of walking just 100 metres, but takes three hours. The work is a challenge to an Un-functional or Meaningless Thing. Furthermore, it addresses the notion of non-function, or “without meaning” in this case; I pose a question to the increasing modern consumerism that results from the utopian yearnings sought after by humans.<\/p>\n

 <\/p>\n

22) Video title: REALITY<\/strong><\/p>\n

Author’s name: De Gennaro Silvia<\/strong><\/p>\n

We live our lives hoping to improve ourselves, while possibly we were born to live through our imperfections. Our Identity defines itself at the time we express our weaknesses: eternal life is faultless and anonymous, the one on earth short, deceptive, superficial, but just because of this, fabulous. We live and die to reach heaven, to be born we get away from it.  Life meant as   “Reality Show” of  souls, as an opportunity to escape from eternal monotony. Close-up fixed on a little girl, floating soul awaiting for her own birth.<\/p>\n

 <\/p>\n

23) Video title: RGB<\/strong><\/p>\n

Author’s name: MALC (Massimiliano Acerra \/ Lorena Canulli)<\/strong><\/p>\n

RGB mark indicates the chromatic system of the video decomposing images in three primal colours Red Green Blue, this split gives the cue to an analysis of reality which is split itself in three different views still related from the emotions these colours \u201cinstinctively\u201d evoke; and then Reaction faces the movements of bodies, the spasm of flesh; Grace looks for the beauty of nature through a minimalist glance to things; Bounds leads to a state of discomfort due to the impact of the city.<\/p>\n

 <\/p>\n

24) Video title: SALA D’ATTESA<\/strong><\/p>\n

Author’s name: Casari Morena<\/strong><\/p>\n

The waiting room as possible place for meeting, exchange and communication with others.<\/p>\n

 <\/p>\n

25) Video title: SEEK ASSISTANCE<\/strong><\/p>\n

Author’s name: Shah Vishal<\/strong><\/p>\n

‘Seek Assistance’ is an aesthetically dark myth projected as noise and interference which intensifies with intrigue and mystery. The delicate investigation of micro materials is echoed by intricate lighting effects that appear to print the subject upon one’s eye. This micro interplay between sight and sound firstly illuminates the subject yet hints at macro forms that exist past the light, beyond any sound, and ultimately transcend the physical frame.<\/p>\n

In this video Vishal exploits a halftone image; the process used in print to reproduce an image with continuous tone is sequenced to create a series of still moving images, which is printed \/ projected by light onto a subject.<\/p>\n

‘The video ‘Seek Assistance’ takes us to the starting point of a tube journey when our valid ticket is rejected. The system refuses to allow our passage. This is a work composed out of sharp and exact editing, distinct configurations of abstract light, form and image within the suggestion of a narrative collision. Visually there are strong hints of early modernist cinema and photography, Man Ray, Rodchenko and Moholy Nagy appear as possible reference meeting visual forms that derives from a fast world of commercial video. We are left in a state of an in-between of passage, combined with interruption and detour. This is the place that a subject might either be composed or undone.’<\/p>\n

 <\/p>\n

26) Video title: SNOWFAKES<\/strong><\/p>\n

Author’s name: Foster Emily Alden<\/strong><\/p>\n

foray into stop-motion animation, made with a consumer-grade digital camera and a borrowed iBook, over the course of a winter spent in rural Missouri. The film, comprised of 2000 individually captured stills compiled over four months, serves as an exercise in ’emotional texture.’ Images and objects representing Foster’s fond memories of her winter home — rocks, sticks, snow, fabric, unspooled VHS tape, candles, old maps and photographs — are interpolated with carefully choreographed paper cutouts, progressive drawings, and Spirographs. A speechless soundtrack by tape-folker Flowers completes a work seeking to exist outside of idioms, instead appealing directly to the viewer’s sense of comfort and warmth.<\/p>\n

 <\/p>\n

27) Video title: SUPERIMPOSING L.A.<\/strong><\/p>\n

Author’s name: Ro\u00dfbacher Gerald<\/strong><\/p>\n

 <\/p>\n

28) Video title: THE ART RECEPTION<\/strong><\/p>\n

Author’s name: Kristiansen Ulf<\/strong><\/p>\n

A figurative painter holds an art reception. The critics and the audience are less than impressed by his art project (depicting male pornstars) and they tell him so. He does not take the critisism well. He looses his mind completely and starts hallucinating before passing out. In his dreams he gets his revenge. But dreams are short-lived.<\/p>\n

 <\/p>\n

29) Video title: THEM – ME<\/strong><\/p>\n

Author’s name: Boukhari Nisrine<\/strong><\/p>\n

In this video art I use black and white, because colors cover the reality and I present the photographer and the model as equal.<\/p>\n

One person-it?s me- is existing with little tools, inside this music which composing of three sounds; it makes them six elements, to reach to the concept of the hexagon which consider as the most powerful type, and that lead us to the origin of creation in the west presented by (the father, the son, and the holy ghost), and the origin of the creation in the east presented by (the humanity, the soul, and the body) To get complete image about concept of creation<\/p>\n

 <\/p>\n

30) Video title: TRAVEL TRIP<\/strong><\/p>\n

Author’s name: Pesce Michele<\/strong><\/p>\n

A progressive scansion of initial images deciding the journey (TRIP) to undertake,<\/p>\n

at first during the day, then in the night, characterized by the very fast rhythmic of  New York city.<\/p>\n

The video has been realized with traditional techniques of editing with Final Cuts and After Effect.<\/p>\n

 <\/p>\n

31) Video Title: WHERE ARE YOU  <\/strong>Special mention<\/u><\/p>\n

Author\u2019s name: Astrid Stoefhas<\/strong><\/p>\n

 <\/p>\n

32) Video Title: CRAZE <\/strong>Special mention<\/u><\/p>\n

Author\u2019s Name: Filippos Tsitsopoulos<\/strong><\/p>\n

 <\/p>\n

33) Video Title: IF YOU WERE A ROCKY ISLAND <\/strong>Special mention<\/u><\/p>\n

Author\u2019s name: Cherie Sampson<\/strong><\/p>\n

Footage for this work was shot in 2004 during a return trip to Koli Mountain. It was recently edit for the \u201cAesthetics of stone and rock\u201d conference\/exhibition that took place in Koli in June\/07. Excerpts from the Finnish epic poem, The Kalevala, pertaining to stone and rock (mundane and mystical) have been re-ordered and chanted in English in Finnish throughout the piece. <\/p>\n

 <\/p>\n

34) Video title: KUNST UBER KUNST ODER DIE KREATIVITAT DER LANGEWEILE <\/strong>Out of competition<\/u><\/p>\n

Author\u2019s name: Gloria Zoitl<\/strong> & Raditschnig Werner<\/strong><\/p>\n

ngg_shortcode_1_placeholder<\/p>","protected":false},"excerpt":{"rendered":"

MAGMART 2008  VIDEO UNDER VOLCANO International videoart festival Third edition March 15th – April 15th 2008 CURATED BY Antonio Manfredi Enrico Tomaselli OPENING March 15th 2008 6.30 pm Winning Artists: Nisrine Boukhari \/ Syria  \u201cTHEM\u2013ME\u201d; Junichiro Ishii \/ Giappone \u201cPROMENADE\u201d; Fleisch Thorsten \/ Germany \u201cENERGIE!\u201c; Jean-Gabriel P\u00e9riot \/ France \u201cNIJUMAN NO BOREI\u201d ; Shahar Marcus … Continue reading “MAGMART 08 – Third Edition”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":19108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre"],"yoast_head":"\nMAGMART 08 - Third Edition - CAM MUSEUM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MAGMART 08 - Third Edition - CAM MUSEUM\" \/>\n<meta property=\"og:description\" content=\"MAGMART 2008  VIDEO UNDER VOLCANO International videoart festival Third edition March 15th – April 15th 2008 CURATED BY Antonio Manfredi Enrico Tomaselli OPENING March 15th 2008 6.30 pm Winning Artists: Nisrine Boukhari \/ Syria  \u201cTHEM\u2013ME\u201d; Junichiro Ishii \/ Giappone \u201cPROMENADE\u201d; Fleisch Thorsten \/ Germany \u201cENERGIE!\u201c; Jean-Gabriel P\u00e9riot \/ France \u201cNIJUMAN NO BOREI\u201d ; Shahar Marcus … Continue reading "MAGMART 08 – Third Edition"\" \/>\n<meta property=\"og:url\" content=\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/\" \/>\n<meta property=\"og:site_name\" content=\"CAM MUSEUM\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/CAM-Casoria-Contemporary-Art-Museum-62925556301\/\" \/>\n<meta property=\"article:published_time\" content=\"2008-03-15T18:30:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-07-15T21:05:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"334\" \/>\n\t<meta property=\"og:image:height\" content=\"270\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Antonio\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@MuseoCAMCasoria\" \/>\n<meta name=\"twitter:site\" content=\"@MuseoCAMCasoria\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Antonio\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"39 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/\"},\"author\":{\"name\":\"Antonio\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/#\/schema\/person\/1b15fcfa1f63d371079cb1afba1544a6\"},\"headline\":\"MAGMART 08 – Third Edition\",\"datePublished\":\"2008-03-15T18:30:07+00:00\",\"dateModified\":\"2019-07-15T21:05:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/\"},\"wordCount\":7776,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg\",\"articleSection\":[\"mostre\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/\",\"url\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/\",\"name\":\"MAGMART 08 - Third Edition - CAM MUSEUM\",\"isPartOf\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg\",\"datePublished\":\"2008-03-15T18:30:07+00:00\",\"dateModified\":\"2019-07-15T21:05:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[[\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/\"]]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#primaryimage\",\"url\":\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg\",\"contentUrl\":\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg\",\"width\":334,\"height\":270},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"MAGMART 08 – Terza Edizione\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#website\",\"url\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/\",\"name\":\"CAM MUSEUM\",\"description\":\"Casoria Contemporary Art Museum\",\"publisher\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#organization\",\"name\":\"Casoria contemporaryart museum\",\"url\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2017\/11\/CAM-MUSEUM-logo-bassa-definizione.jpg\",\"contentUrl\":\"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2017\/11\/CAM-MUSEUM-logo-bassa-definizione.jpg\",\"width\":1134,\"height\":1134,\"caption\":\"Casoria contemporaryart museum\"},\"image\":{\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/CAM-Casoria-Contemporary-Art-Museum-62925556301\/\",\"https:\/\/x.com\/MuseoCAMCasoria\",\"https:\/\/instagram.com\/cammuseum\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/#\/schema\/person\/1b15fcfa1f63d371079cb1afba1544a6\",\"name\":\"Antonio\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/casoriacontemporaryartmuseum.com\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/d8707634e377d63d66af6cef5c3ddbb4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/d8707634e377d63d66af6cef5c3ddbb4?s=96&d=mm&r=g\",\"caption\":\"Antonio\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"MAGMART 08 - Third Edition - CAM MUSEUM","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/","og_locale":"en_US","og_type":"article","og_title":"MAGMART 08 - Third Edition - CAM MUSEUM","og_description":"MAGMART 2008  VIDEO UNDER VOLCANO International videoart festival Third edition March 15th – April 15th 2008 CURATED BY Antonio Manfredi Enrico Tomaselli OPENING March 15th 2008 6.30 pm Winning Artists: Nisrine Boukhari \/ Syria  \u201cTHEM\u2013ME\u201d; Junichiro Ishii \/ Giappone \u201cPROMENADE\u201d; Fleisch Thorsten \/ Germany \u201cENERGIE!\u201c; Jean-Gabriel P\u00e9riot \/ France \u201cNIJUMAN NO BOREI\u201d ; Shahar Marcus … Continue reading \"MAGMART 08 – Third Edition\"","og_url":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/","og_site_name":"CAM MUSEUM","article_publisher":"https:\/\/www.facebook.com\/CAM-Casoria-Contemporary-Art-Museum-62925556301\/","article_published_time":"2008-03-15T18:30:07+00:00","article_modified_time":"2019-07-15T21:05:21+00:00","og_image":[{"width":334,"height":270,"url":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg","type":"image\/jpeg"}],"author":"Antonio","twitter_card":"summary_large_image","twitter_creator":"@MuseoCAMCasoria","twitter_site":"@MuseoCAMCasoria","twitter_misc":{"Written by":"Antonio","Est. reading time":"39 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#article","isPartOf":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/"},"author":{"name":"Antonio","@id":"https:\/\/casoriacontemporaryartmuseum.com\/#\/schema\/person\/1b15fcfa1f63d371079cb1afba1544a6"},"headline":"MAGMART 08 – Third Edition","datePublished":"2008-03-15T18:30:07+00:00","dateModified":"2019-07-15T21:05:21+00:00","mainEntityOfPage":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/"},"wordCount":7776,"commentCount":0,"publisher":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/#organization"},"image":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#primaryimage"},"thumbnailUrl":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg","articleSection":["mostre"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/","url":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/","name":"MAGMART 08 - Third Edition - CAM MUSEUM","isPartOf":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#primaryimage"},"image":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/it\/magmart-08-terza-edizione\/#primaryimage"},"thumbnailUrl":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg","datePublished":"2008-03-15T18:30:07+00:00","dateModified":"2019-07-15T21:05:21+00:00","breadcrumb":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":[["https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/"]]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#primaryimage","url":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg","contentUrl":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2016\/10\/Immaginemagmart2008.jpg","width":334,"height":270},{"@type":"BreadcrumbList","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/magmart-08-terza-edizione\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/casoriacontemporaryartmuseum.com\/en\/"},{"@type":"ListItem","position":2,"name":"MAGMART 08 – Terza Edizione"}]},{"@type":"WebSite","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#website","url":"https:\/\/casoriacontemporaryartmuseum.com\/en\/","name":"CAM MUSEUM","description":"Casoria Contemporary Art Museum","publisher":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/casoriacontemporaryartmuseum.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#organization","name":"Casoria contemporaryart museum","url":"https:\/\/casoriacontemporaryartmuseum.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2017\/11\/CAM-MUSEUM-logo-bassa-definizione.jpg","contentUrl":"https:\/\/casoriacontemporaryartmuseum.com\/wp-content\/uploads\/2017\/11\/CAM-MUSEUM-logo-bassa-definizione.jpg","width":1134,"height":1134,"caption":"Casoria contemporaryart museum"},"image":{"@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/CAM-Casoria-Contemporary-Art-Museum-62925556301\/","https:\/\/x.com\/MuseoCAMCasoria","https:\/\/instagram.com\/cammuseum"]},{"@type":"Person","@id":"https:\/\/casoriacontemporaryartmuseum.com\/#\/schema\/person\/1b15fcfa1f63d371079cb1afba1544a6","name":"Antonio","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/casoriacontemporaryartmuseum.com\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/d8707634e377d63d66af6cef5c3ddbb4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d8707634e377d63d66af6cef5c3ddbb4?s=96&d=mm&r=g","caption":"Antonio"}}]}},"_links":{"self":[{"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/posts\/22918"}],"collection":[{"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/comments?post=22918"}],"version-history":[{"count":0,"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/posts\/22918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/media\/19108"}],"wp:attachment":[{"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/media?parent=22918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/categories?post=22918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casoriacontemporaryartmuseum.com\/en\/wp-json\/wp\/v2\/tags?post=22918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}