{"id":21552,"date":"2010-04-17T18:30:36","date_gmt":"2010-04-17T18:30:36","guid":{"rendered":"http:\/\/www.casoriacontemporaryartmuseum.com\/?p=21552"},"modified":"2022-02-03T15:20:04","modified_gmt":"2022-02-03T15:20:04","slug":"cammovie-2","status":"publish","type":"post","link":"https:\/\/casoriacontemporaryartmuseum.com\/en\/cammovie-2\/","title":{"rendered":"CAMMOVIE 2010"},"content":{"rendered":"<p>On the 17th of April at 6.30pm CAM opens up to video art. Casoria museum is already renown for its attention to visual language and turns now into a multimedia container, a platform over which almost all worldwide video art will pass by. CAMMOVIE is the name of the yearly event\/container hosting four sessions: GLANCES, CENSURED, MAGMART, VIDEO LOOP. CAMMOVIE first edition (17 April\/30 May 2010) curated by Antonio Manfredi will begin focusing on Iran, looking at Persian video art production (GLANCES session). The visual metaphors, in Iranian glances, turn into a vehicle of messages of protest against the oppressive power of its government and hint at deep reflexions on Iranian society: the women subordinate condition, the economy games with its surrounding nations, the experienced war, the theories connected to the Twin Towers. The flow of images spaces from a documentary to a fine oneiric and estrangement language through 22 videos, some of which previously participated to important western events (like Documenta 11), meanwhile other ones have been produced by dissident artists forced to flee to Europe. Along with the videos there will be an installation dedicated to Neda Aqa-Soltan, one of the victims of the fights in Teheran against the Iranian government, which images have been displayed throughout the world thus becoming the symbol of the Persian Green Wave. Ironically framing the event are the astute satirical sketches by Simona Bassano di Tufillo revealing the difficulties of women wearing Burqua. A performance by Rokhshad Nourdeh, Iranian artist living in Paris will take place, too. During the morning of April the 17th the artist will walk through the streets of Naples leaving brochures with her words on them, then bringing on the top of the Vesuvius a coloured flag, symbol of unity. Rokhshad Nourdeh walk means bringing to another place the flow of people crowding Iran streets during the past months. The performance will continue during the night (April the 17th at 7.30pm) at CAM during the opening of CAMMOVIE. The cultural event will also touch another session of the platform, CENSURED, with the projection of the movies by Jafar Panahi which have been prohibited in Iran. The Iranian director has been arrested on the First of March 2010 for his activity in opposition to the Iran regime, due to his project of a movie on the contests. A wink to the censure in our country will not be missing, like those programs which disappeared from TV and then appeared on the net (Raiperunanotte). The two more sessions are a further research by Casoria museum, a door open to the art production on video. The VIDEO LOOP session presents a selection of videos coming from some of the most important International festival of video art: Optica Festival_Spain, Streaming Video Festival_Holland, Video Play Festival_Argentina, Videoholica Festival_Bulgaria, NamaTRE.BaProject_Bosnia Herzegovina, VideoChannel_Germany and AllArtNow New Media Art Festival_Syria in cooperation with Visualcontainer_Italy. Also, the MAGMART session which once again confirms its presence at CAM, partner of the renown international festival at its 5th edition. 30 videos winners of the competition will be presented and become part of the permanent collection of CAM.<\/p>\n<p><strong>OPTICA FESTIVAL<\/strong>: Director: Patricia Pel\u00e1ez \u00c1lvarez &amp; Jos\u00e9 Ram\u00f3n Gonz\u00e1lez Saiz; Director de Proyectos Singulares: Filippos Tsitsopoulos<br \/>\n<strong>MAGMART<\/strong>: Director Enrico Tomaselli<\/p>\nngg_shortcode_1_placeholder\n<p><b>Artisti<br \/>\n<\/b><strong>IRANIAN GLANCES<br \/>\n<\/strong><strong>Videoart, performance, installations<\/strong><br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nPerformance in the CAM, 17th April 2010<br \/>\n<strong>Simona Bassano di Tufillo <\/strong>ITALY<br \/>\nBurka, 2004&nbsp; Comics n\u00b0 10 cm. 20 x 20<br \/>\n<strong>Antonio Manfredi <\/strong>ITALY<br \/>\nNada, 2010 Video installation<br \/>\n<strong>Jafar Panahi <\/strong>IRAN<br \/>\nIl cerchio_The circle, 2000 Film<br \/>\n<strong>Amirali Ghasemi<\/strong>&nbsp; IRAN<br \/>\nMy video diaries, 2001-04 Video 6.15 min.<br \/>\n<strong>Behfar Karimi<\/strong>&nbsp; IRAN<br \/>\nThe exposed,&nbsp; 2007 Video 1.48 min.<br \/>\n<strong>Behfar Karimi<\/strong>&nbsp; &amp; <strong>Mohammad Shirvani<\/strong>&nbsp; IRAN<br \/>\nRed shell, 2007 Video 1.30 min.<br \/>\n<strong>Azadek Nilchiani<\/strong>&nbsp; IRAN<br \/>\nVille de Kashan, 1, 2006 Video 2.10 min.<br \/>\n<strong>Jinoos Taghizadeh<\/strong>&nbsp; IRAN<br \/>\nShahr e Farang n\u00b01, 2008Video 2.16 min.<br \/>\n<strong>Khosro Khosravi &amp; Farid Jafari<\/strong>&nbsp; IRAN<br \/>\nPort, 2003 Video 6.10 min.<br \/>\n<strong>Mohammad Razdasht<\/strong>&nbsp; IRAN<br \/>\nChildren fisher of Persian Gulf, 2005 Video 2.28 min.<br \/>\n<strong>Mohammad Razdasht<\/strong>&nbsp; IRAN<br \/>\nMy memory, 2006 Video 1.43 min.<br \/>\n<strong>Mohammad Razdasht<\/strong>&nbsp; IRAN<br \/>\nChair, 2006 Video 3.23 min.<br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nCreation, 2006 Video 2.26 min.<br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nPollution, 2006 Video 9.38 min.<br \/>\n<strong>Seifollah Samadian<\/strong>&nbsp; IRAN<br \/>\nThe white station, 1999 Video 7.35 min.<br \/>\n<strong>Ami Ali Mohebbi&nbsp; Nejad<\/strong>&nbsp; IRAN<br \/>\nEntertainment, 2007 Video 2.36 min.<br \/>\n<strong>Farhad Fozouni<\/strong>&nbsp; IRAN<br \/>\nUntitled, 2006 Video 5.56 min.<br \/>\n<strong>Negar Tahsili<\/strong>&nbsp; IRAN<br \/>\nOf one essence\u2026,2005 Video 2.15 min.<br \/>\n<strong>Behnam Kamrani<\/strong>&nbsp; IRAN<br \/>\nClothes for Gabriel, 2006 Video 4.50 min.<br \/>\n<strong>Rozita Sharaf Jahan<\/strong>&nbsp; IRAN<br \/>\nDepression, 2006 Video 7.30 min.<br \/>\n<strong>Rozita Sharaf Jahan<\/strong>&nbsp; IRAN<br \/>\nFire lather, 2005 Video 6.58 min.<br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nTriptyque_Retouvailles, 2007&nbsp; Video&nbsp; 4.35 min.<br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nTriptyque_Rupture, 2008&nbsp; Video&nbsp; 3.25 min.<br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nTriptyque_\u201d\u2026\u201d, 2008&nbsp; Video&nbsp; 2.50 min.<br \/>\n<strong>Rokhshad Nourdeh<\/strong>&nbsp; IRAN<br \/>\nVideo&nbsp; Performance,&nbsp; 2000\/2004<br \/>\n<strong><br \/>\nMAGMART 2010<\/strong><br \/>\n<strong>International videoart festival<\/strong><br \/>\n<strong>Martux_M e Mattia Casalegno <\/strong>ITALY<strong><br \/>\n<\/strong>X-SCAPE 06<br \/>\n<strong>VestAndPage &#8211; Verena Stenke &amp; Andrea Pagnes <\/strong>GERMANY<strong><br \/>\n<\/strong>AFLOAT W.I.L.L. (CETACEI)<br \/>\n<strong>G\u00e9rard Cairaschi <\/strong>FRANCE<br \/>\nMENSONGES<br \/>\n<strong>Andrea Biagioni <\/strong>ITALY<br \/>\nDIMMI CHI SONO<br \/>\n<strong>Hyun Ju Song <\/strong>SOUTH KOREA<strong><br \/>\n<\/strong>NOTHING IS FINISHED<br \/>\n<strong>Branko Pas\u00ecc <\/strong>CROATIA<br \/>\nCLASH<br \/>\n<strong>Francesca Fini <\/strong>ITALY<strong><br \/>\n<\/strong>CRY ME<br \/>\n<strong>Silvia De Gennaro<\/strong> ITALY<strong><br \/>\n<\/strong>CERCANDO L&#8217;ILLUMINAZIONE<br \/>\n<strong>KeziaT (Kezia Terracciano) <\/strong>ITALY<br \/>\nMEMORIA DI UN FOLLE<br \/>\n<strong>Silvia De Gennaro <\/strong>ITALY<strong><br \/>\n<\/strong>LOOK UP!<br \/>\n<strong>Papadia Daniela <\/strong>ITALY<br \/>\nUNDER YOUR BREATH<br \/>\n<strong>Fabio Scacchioli <\/strong>ITALY<strong><br \/>\n<\/strong>DEAD SEEQUENCES<br \/>\n<strong>VestAndPage &#8211; Verena Stenke &amp; Andrea Pagnes <\/strong>GERMANY<strong><br \/>\n<\/strong>COLONIZE<br \/>\n<strong>Wong Pak Yin <\/strong>FRANCE<strong><br \/>\n<\/strong>L&#8217;\u00c1COULEMENT ET L&#8217;INJECTION<br \/>\n<strong>Resmi Al Kafaji <\/strong>IRAQ<br \/>\nTRAVELLING BOOK<br \/>\n<strong>David Montgomery <\/strong>UNITED STATES<strong><br \/>\n<\/strong>POLLENATING II<br \/>\n<strong>Nicolas Boulard <\/strong>FRANCE<br \/>\nDIAGONALE<strong><br \/>\nDebora Vrizzi <\/strong>ITALY<strong><br \/>\n<\/strong>FRAME LINE<br \/>\n<strong>David Montgomery <\/strong>UNITED STATES<strong><br \/>\n<\/strong>ELEMENTS OF TIME<br \/>\n<strong>Emilio Rizzo <\/strong>ITALY<strong><br \/>\n<\/strong>RACCONTI PER UNA SOLITUDINE INSONNE &#8216;LA STORIA DEI SOGNI&#8217;<br \/>\n<strong>David Geiss <\/strong>CANADA<strong><br \/>\n<\/strong>BASIN<br \/>\n<strong>Noriko Okaku <\/strong>UNITED KINGDOM<strong><br \/>\n<\/strong>SOMETHING IN BETWEEN MEMORIES<br \/>\n<strong>Russell J. Chartier, Paul J Botelho <\/strong>UNITED STATES<strong><br \/>\n<\/strong>CONFINED 10-01-2<br \/>\n<strong>Doug Williams <\/strong>UNITED STATES<br \/>\nBACK AND FORTH<br \/>\n<strong>Alessandro Perini <\/strong>ITALY<strong><br \/>\n<\/strong>TRAVEL JOURNAL FROM AN INVISIBLE CITY<br \/>\n<strong>Vladimir Todorovic<\/strong> SERBIA AND MONTENEGRO<br \/>\nTHE SNAIL ON THE SLOPE<br \/>\n<strong>Elisabetta Di Sopra <\/strong>ITALY<strong><br \/>\n<\/strong>APPARENZE<br \/>\n<strong>Giulia Citterio<\/strong> ITALY<strong><br \/>\n<\/strong>BLURRED BUTTERFLY<br \/>\n<strong>Pasquale Napolitano <\/strong>ITALY<br \/>\nAN ITALIAN TALE<br \/>\n<strong><br \/>\nVideoLoop<\/strong><br \/>\n<strong>International videoart<\/strong><br \/>\n<strong>Marta Moreno Munoz<\/strong> SPAIN<br \/>\nDesvanecimientos<br \/>\n<strong>Igor Bosnjak<\/strong> BOSNIA &amp; HERZEGOVINA<br \/>\nPassage of fear<br \/>\n<strong>Zsolt Vasarhely <\/strong>HUNGARY<br \/>\nYamakasi<br \/>\nMladen Bundalo BOSNIA &amp; HERZEGOVINA<br \/>\nSimulating dualism<br \/>\n<strong>Funda Ozgunaydin <\/strong>GERMANY<br \/>\nNamus belasi<br \/>\n<strong>Boris Eldagsen <\/strong>GERMANY<br \/>\nThe dying widow<br \/>\n<strong>Christin Bolewsky<\/strong> GERMANY<br \/>\nMountain-water-painting<br \/>\n<strong>Marta Daeuble<\/strong> CZECH REPUBLIC<br \/>\nBook<br \/>\n<strong>Jasper Scheepbouwer <\/strong>NEETHERLAND<br \/>\nHerrie<br \/>\n<strong>Roland Wegerer <\/strong>AUSTRIA<br \/>\nAustria<br \/>\n<strong>Giuseppe Girardi<\/strong>&nbsp; ITALY Foreigner-straniero<br \/>\n<strong>David Jakubovic<\/strong> USA<br \/>\nJoined at the head<br \/>\n<strong>Frank Gatti&nbsp; <\/strong>FRANCE<br \/>\nSlapstick social<br \/>\n<strong>Filippos Tsitsopoulos <\/strong>&nbsp;GREECE<br \/>\nMarat de Sade<br \/>\n<strong>Agricola de Cologne <\/strong>GERMANY<br \/>\nSilent Cry<br \/>\n<strong>Juanma Carrillo<\/strong> SPAIN<br \/>\nTo play at crying<br \/>\n<strong>Anders Weberg<\/strong> SWEDEN<br \/>\nMamo\/mother 2 min. 31 sec.<br \/>\n<strong>Beatriz Mar\u00edn Urb\u00e1n<\/strong> SPAIN<br \/>\nObra: &#8220;Psycho Dairy&#8221; 1 min. 02 sec.<br \/>\n<strong>Compagnia dello Zukkero<\/strong> ITALY<br \/>\nHoly Image 3 min. 05 sec.<br \/>\n<strong>David Conill<\/strong> SPAIN<br \/>\nThe last room 1 min. 49 sec.<br \/>\n<strong>Fabio Scacchioli<\/strong> ITALY<br \/>\nDead SEEquence 4 min. 10 sec.<br \/>\n<strong>Germ\u00e1n Scelso<\/strong> ARGENTINA<br \/>\nUn pensamiento de Laura 3 min. 25 sec.<br \/>\n<strong>Johanna Reich<\/strong> GERMANY<br \/>\nFront 2 min. 4 sec.<br \/>\n<strong>Mar\u00eda Castellanos Vicente<\/strong> SPAIN<br \/>\nMemoria 3 min. 4 sec.<br \/>\n<strong>Carlos Cid Ruiz<\/strong> SPAIN<br \/>\nKaizen 12 min<\/p>","protected":false},"excerpt":{"rendered":"<p>On the 17th of April at 6.30pm CAM opens up to video art. Casoria museum is already renown for its attention to visual language and turns now into a multimedia container, a platform over which almost all worldwide video art will pass by. CAMMOVIE is the name of the yearly event\/container hosting four sessions: GLANCES, &hellip; <a href=\"https:\/\/casoriacontemporaryartmuseum.com\/en\/cammovie-2\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;CAMMOVIE 2010&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":21738,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CAMMOVIE 2010 - CAM MUSEUM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/casoriacontemporaryartmuseum.com\/en\/cammovie-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CAMMOVIE 2010 - CAM MUSEUM\" \/>\n<meta property=\"og:description\" content=\"On the 17th of April at 6.30pm CAM opens up to video art. Casoria museum is already renown for its attention to visual language and turns now into a multimedia container, a platform over which almost all worldwide video art will pass by. 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